Every Steely Dan album ranked from worst to best Louder
Steely Dan brought jazz smarts and lyrical sophistication to rock, conjuring up brainiac music that sold millions - just don’t mention ‘yacht rock’ FeaturesBy Paul Elliott( Classic Rock ) published 24 June 2025
Steely Dan brought jazz smarts and lyrical sophistication to rock, conjuring up brainiac music that sold millions - just don’t mention ‘yacht rock’
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(Image credit: Reprise)No Steely Dan record for 20 years, then two in three years, and then nothing for 13 years. For a band as unorthodox as this, it makes a strange kind of sense. But if this album does turn out to be their last, it’s a bit of a bum note to go out on.
Everything Must Go (the only Dan album not to go gold) is not a bad record. In all their years together, Fagen and Becker have never made an outright turkey. But for all the craft and detail in this album’s music and lyrics, there isn’t one truly great song, and no flashes of the pop genius in their past hits – only what one critic called “a mood of well-heeled world-weariness”.
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8. Two Against Nature (Giant, 2000)
(Image credit: Giant)It was a long time coming. Twenty years had passed since Fagen and Becker had made a new Steely Dan album. It had been seven years since they’d reunited and begun touring again. And yet, on Two Against Nature, they just picked up where they had left off with 1980’s Gaucho.
Their signature sound was immediately apparent in the opening track, Gaslighting Abbie. And so it continued, through Cousin Dupree – as funny as it is funky – on to the jazz-noodling finale, West Of Hollywood. The album sold a million in the US and won four Grammys. On every level, the Dan’s comeback was a triumph.
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7. Katy Lied (ABC, 1975)
(Image credit: ABC)Such was the band’s profile after the success of Pretzel Logic that this follow-up was a gold record in the US, even though its two singles didn’t really stick. Black Friday, a swaggering rock song, peaked at 37, and the laid-back Bad Sneakers failed to make it into the Top 100.
It’s the deep cuts that make Katy Lied a favourite among Dan connoisseurs: Doctor Wu, a jazz tune as smooth as glass, and Your Gold Teeth II, with an effortlessly cool groove that’s right in the pocket. Making these tracks swing was drummer Jeff Porcaro, already, at 20, a master of his art. Meanwhile, Michael McDonald, debuting with the Dan, brought a little soul into the mix.
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6. Countdown To Ecstasy (ABC, 1973)
(Image credit: ABC)Fagen and Becker pulled off quite a trick on the Dan’s second album. While Countdown To Ecstasy had more of a rock’n’roll edge than Can’t Buy A Thrill, it was also when the duo’s jazz influences came to the fore.
Prominent among the rockier songs were Bodhisattva, with its boogie riff, and Show Biz Kids, on which guitar hero Rick Derringer played slide. But even in these tracks there were jazzy nuances, and elsewhere this sensibility was overt in the subtle textures of Your Gold Teeth and Razor Boy. With Fagen as sole lead vocalist, it was a strong and cohesive album. All it lacked was a hit, like Do It Again.
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5. Gaucho (MCA, 1980)
(Image credit: MCA)No Dan album has divided opinion like Gaucho. The New York Times called it “the best album of 1980”; Rolling Stone described it as “the kind of music that passes for jazz in Holiday Inn lounges”.
The truth is somewhere in between. Gaucho is a monument to anal-retentive excess, recorded over two years, utilising 42 different musicians. Even so, it’s flawed: the bland Glamour Profession is style over substance. But there are great songs on Gaucho. The title track is mesmeric, and in the zinging Hey Nineteen, Fagen makes a sleazy come-on sound magical: ‘The Cuervo Gold/The fine Colombian/Make tonight a wonderful thing.’
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4. The Royal Scam (ABC, 1976)
(Image credit: ABC)Donald Fagen apparently hated the artwork for The Royal Scam, originally commissioned for a Van Morrison record that was never released. But the music was right on the money.
Kid Charlemagne has a silky melody and a mind-blowing guitar solo from jazz-fusion pioneer Larry Carlton, and The Fez is nonchalantly funky. But the album’s best song is the reggae-influenced Haitian Divorce, with its wonderfully evocative opening couplet: ‘Babs and Clean Willie were in love they said/So in love, the preacher’s face turned red.’ Haitian Divorce is the Dreadlock Holiday it’s okay to like, and The Royal Scam is classic Dan.
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3. Pretzel Logic (ABC, 1974)
(Image credit: ABC)It wasn’t just their first album to hit the US Top 10. In another key respect, Pretzel Logic was a game changer for Steely Dan. After their second album, Countdown To Ecstasy, flopped, Fagen and Becker upped the ante on this follow-up, bringing in top session musicians, including drummer Jim Gordon, who’d played with George Harrison and Eric Clapton.
From this point, the Dan weren’t a band per se; it was all about Donald and Walter. A perfect pop song, Rikki Don’t Lose That Number became their biggest hit single. And the quality in this album ran deep, from the balmy Any Major Dude Will Tell You to the bluesy title track.
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2. Aja (ABC, 1977)
(Image credit: ABC)It seems apt that Ian Dury was a Steely Dan fan. He did, after all, have a song called There Ain’t Half Been Some Clever Bastards. But Dury didn’t just connect to Aja on a purely intellectual level. “It’s got a sound that lifts your heart up,” he said.
For all the cynicism that was so much a part of Steely Dan – an extension of Fagen and Becker’s personalities – the group’s sixth album was pure feel-good music, a glittering synthesis of soft rock, jazz, funk and pop. Most uplifting of all was the US hit single Peg, with Doobie Brother Michael McDonald gilding the chorus. Fagen and Becker had always strived for perfection. In Aja, they found it.
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1. Can’t Buy A Thrill (ABC, 1972)
(Image credit: ABC)From the get-go, the Dan were the coolest band in America. This much is evident in their debut album’s two hit singles: the first, Do It Again, with a Latin rhythm and a melodic glow at odds with its lyrics about a loser beaten down by life; the second, Reelin’ In The Years, a breezy rock’n’roll number with killer lead guitar from Elliott Randall.
Absent from this album was the jazzy vibe that came to define the band in later years. But there were great songs throughout: from the deftly funky Midnight Cruiser to the soul ballad Dirty Work, the latter beautifully sung by the soon-to-be-axed David Palmer.
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